My
first two reviews here at Highbrow Horror have been of very straight faced,
serious horror films. I love them because they truly are terrifying and have
been deemed so by nearly everyone who has seen them over the years. However, I
don’t think I enjoy anything more than a good ole’ gory schlock fest full of
dark humor and insanity that doesn’t take itself seriously for a second or is
too low budget to know better. And that is exactly what Hatchet is.
Back
in the 80’s, one subgenre of the horror film reigned supreme, the slasher.
Slasher films never pretended to be more than they were, which was outrageously
violent, ultra sleazy, nudity-filled gore fests. This subgenre has yielded some
of the greatest horror films of all time such as the Friday the 13th
series, Nightmare on Elm Street, and even more obscure films such as Maniac and
Henry: Portrait of a Serial Killer. In the 90’s there was the Scream franchise
and after that, Hollywood began churning out mainstream re-makes of these films
and others from around the globe. It seemed that no one had an original idea
anymore.
Then
in 2006, writer/director Adam Green gave us Hatchet. The film boasted two tag
lines, “It’s not a remake. It’s not a sequal. And it’s not based on a Japanese
one,” and “Old school American horror.” I am happy to say that these two
taglines perfectly capture the light feel and awesome approach to this wildly
gorey romp through the swamp.
The
film introduces Victor Crowley, a deformed and hideous creature who lives in
the Lousiana bayou. As a child, he lived with his father, who kept him hidden
away from the rest of society as he was constantly made fun of and humiliated.
One Halloween night, years ago, a group of kids gathered at the Crowley house
to scare Victor by throwing fire crackers on the front porch. Victor was alone
while his dad was out in town. Accidentally the house was caught on fire and
Victor was trapped. When his dad arrived home, he quickly grabbed a hatchet and
began to chop down the front door to get to his son. Little did he know that
Victor was on the other side of the door and the hatchet killed his son. Now,
Victor Crowley haunts the swamp and gruesomely murders anyone who dares venture
into it. This legend becomes all too real when a swamp boat tour is broken down
near Victors house. One by one the members of the tour are picked off as Victor
Crowley exacts his revenge against the society that ruined his life.
This
movie is clearly made with one type of audience in mind, the slasher film
audience. It doesn’t pretend to be anything it’s not for one second. There
isn’t any hidden subtext rich in social commentary on the state of America or
anything like that. It plays out with its tongue firmly planted in cheek and
embraces everything that happens with arms wide open. People complain that it’s
too funny, or that Victor looks like something from the Goonies, and to those
people I would say, chill out! I think everything about this movie is
intentional and made to make us laugh and squirm.
And
squirm we certainly will, as the gore score is off the charts in this one. We
see people’s limbs wripped from their torso’s, numerous decapitations, a man
hacked in half sideways with a hatchet, a sandbelt sanding away a girls lower
jaw, and a womans face wripped in half via Victor Crowley’s bare hands. It’s
all done “in camera” with traditional F/X, no CGI and it looks amazing. I’ll
take this type of gore any day and this instantly gives the film more props
from me.
Top
it all off with a handful of awesome cameos from Robert Englund (everyone knows
him as Freddy Krueger), and Tony Todd (the Candy Man). Victor Crowley is played
by Kane Hodder, everyone’s favorite Jason Vorhees from the Friday the 13th
series.
So,
as you can see, this is a winner with me. From it’s light campy tone, the
amazing gore F/X work, to the cameos of genre favorites, Hatchet is a film that
sets out to make the slasher fan happy, and it worked very well with this
slasher fan.
Hatchet
2 comes out October 1st unrated to theatres and promises to up the
ante on all accounts. If you are a fan of gory horror films, you’ll see Hatchet
2 in theatres because this hardly ever happens. Most of the time the MPAA comes
in and cuts a violent film to shreds and we only see a portion of the directors
vision. With Hatchet 2, we get to see everything Adam Green wanted us to see,
and I can’t wait to see it for myself.
-Dave
Poster by Micah Moseby.
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