Welcome
back to French Horror 101! This may be my last installment in this area for a
bit, but Dave will soon have his review up of the film that started the “French
Horror Wave”. Before I get started with my review, I must warn anyone that
shows interest in viewing this film. This movie is heavy stuff. There is even
an introduction by the director before the movie starts, warning viewers of
what they are about to view. Granted you’re not seeing a snuff film, but you
will see stuff that is highly upsetting. Now let’s take a look at Martyrs.
Martyrs
starts off with young Lucie, our main character who has been imprisoned and
abused for some time, escaping her abductors. She is brought to an orphanage
where she befriends Anna, our other main character. We get a glimpse into their
friendship as children. It is apparent from the start and later on that Lucie
and Anna are best friends, with Anna acting as a caretaker to Lucie. Fast
forward fifteen years. Lucie discovers who her captors were and where they now
live. One unlucky morning, the family is greeted by Lucie and her fully loaded
shotgun. Lucie informs Anna of what she’s done, and the two try to make sense
of the mess. During this whole time, Lucie is being attacked by a strange,
vicious creature that hurts her physically. This has gone on since childhood,
and continues throughout. Lucie confronts her demons and commits suicide,
leaving Anna to pick up the pieces. She sticks around long enough to discover a
very dark secret. This is where the madness goes into overdrive.
Sound
confusing? Well, it kind of is. There are a few different things going on at
once, but they all come together to make sense. The thing haunting Lucie isn’t
totally a subplot, but it is very evident for half of the film. The movie will
make sense about midway through the film, then again at the end. The biggest
aspect of Martyrs is that it transcends genres. This film is honestly as much a
dark drama as it is a horror film. You will be disgusted, pissed off,
upset, and shocked at what you see in this film. But there is something much
deeper lying beneath Martyrs. The underlying message will be what you make of
it. This will definitely take a long time to sink in, and will probably keep
you thinking about it for a few weeks.
The
tone of the film is total dread. You never know what is coming, but you feel
like the outcome won’t be promising. The gore isn’t there for the sake of gore;
this is one of the few instances where this is true in a film. Though, what
gore you do get, it is done superbly. The cinematography is sweeping and
luscious, while the score is very interesting, but works perfectly. The final
thirty minutes of the film can be unbearable to watch. It’s a grueling
experience, but it is necessary for the film. Overall, Martyrs is a horror
masterpiece that truly transcends itself and becomes something larger. If you
can tolerate the things you see in Martyrs, you will be paid off with an
incredibly unique film experience. That is something that can’t be said of too
many horror films of the last decade.
-Chris
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